The story in the book begins with the Earth Summit in the 1990s. The protagonist of the story is a Taiwanese girl who goes to Britain and participates in the activities of artists to protect the ecology. She learns from artists what "Eco-Art" is and knows how to answer these questions: What does "Eco-Art" want to do? Why is "ecological art" important? And wrote this book. This has not yet answered people's doubts about "ecological art", but at least aroused people's interest in "ecological art". In order to practice "ecological art", this Taiwanese girl even learned all kinds of farming knowledge in the countryside after returning to Taiwan. She first sharpened her tools and then did a good job. Such earnest and practical spirit is really worth imitating. If we want to give a definition of "ecological art" reluctantly, we may have to ask such questions as "what is art". However, if works of art are products that artists "use" materials to create what they want, then "ecological art" must break this creative logic and reflect on whether the artist's domination of materials (materials actually originate from nature) will harm nature. The eco-artist group is not satisfied with the creative environment in which artists are separated from the community and nature, but is determined to reshape the relationship between people, nature and community, especially water. With the trend of industrialization and population expansion, the water pollution of the earth is becoming more and more serious, so it has become the primary task of ecological artists to restore the natural appearance of rivers. In addition, "ecological art" is also quite different from the contemporary "Environmental Art", which is created by artists using the natural environment, such as Land Art, which covers the grassland with huge cloth and digs out huge patterns on the ground with bulldozers, so as to make the natural environment lose its original appearance. "Ecological art" is based on the relationship between man and nature and the well-being of the community, and in many cases it is even a kind of behavioral art aimed at public action. Many people think that what artists do is within the scope of artistic creation, while the rest,304 Stainless Steel Bar, such as civic action, archaeological research, ecological research and human geography, are all incompatible, and ecological art has obviously broken the barriers of traditional art. Not only that, eco-artists renew people's understanding of the community, the surrounding rivers and other environments. In addition to artists, they also invite social activists, ecological scientists, 304 Stainless Steel Sheet ,Mirror Stainless Steel Sheet, archaeological researchers, urban scholars and so on to hold different activities, so that local citizens can participate in them, re-understand their own cities, and even participate in the transformation. According to Chou Ling-chi, the author of this book, perhaps the only difference between ecological art and ecological movements or social movements is that the initiators are all artists, who not only show environmental problems, but also use artistic touch to promote the conservation of urban rivers. The book tells about the eco-art movement of many eco-artists in Britain, including "And When London Burns" held by the art group Platform in 2006, and David, an independent artist. Haley The Harrisons, American eco-art pioneers, and David Haley, who are working on a restoration project to "Daylighting" the river in Uverston. Held by Haley "Greenhouse UK", etc. Platform is a group of artists promoting eco-justice and social justice in the UK. It is a pioneer of eco-art activities in the UK. "When London Burns" is an audio-visual media exhibition. David.. Hailey's The events of "see the light of day" and Platform are actually aimed at the underground rivers around London, and the allusion of "when London burns" comes from Sir Wren (Sir Christopher Wren)'s architectural restoration and river expansion projects for London after the Great Fire of London in 1666. Both Haley's and Platform's programs seek to get participants to search for channels that once flowed in the sun and later became underground ditches. One of the plans, The Still Waters, is to bring back the lost rivers and make London a water capital again.
Among them are the River Fleet, the Walbrook, the Effra and the Wandle, which were built by Sir Wren. Some of these rivers have also become underground waterways, and after the Effra has become an underground waterway, its name can only be found in the names of the above-ground streets. Platform interacts with these four tributaries by listening, swimming and seeing the light of day. Haley's plan is similar. He personally contacts the local environmental protection Bureau, inspects the original site of the river, and then uses artistic technicians rather than hydraulic technicians to dig out the river. In fact, it is not difficult to explore the original river course. What is difficult is that it can arouse the participation of citizens and make it an ecological point for sustainable conservation by means of artistic reconstruction. The significance of bringing the lost river to light lies not only in rebuilding the interdependence between people and the river, but also in learning from the ancient people's reverence for the river: some archaeologists have found swords, shields,Stainless Steel Welded Pipe, and other weapons that were sacrificed to the river in ancient times in the reconstructed riverbed. However, in the process of bringing the river to light, they must also try to make the residents get used to and re-recognize the reappearing river. sxthsteel.com